Sumac, The Deal
Where Sumac comes from hardly matters. I could write in here that they’re from Los Angeles, Edinburgh or the Outback outside of Sydney, the location would not change the fact that the band sounds as though they have all been dredged up from the bottom of a turgid, industrial puddle.
Sumac’s Profound Lore debut, The Deal is, in just single word, brutal. But brutal in the best way, how something guttural and violent can deeply move your emotions. Sumac (named for a red flowering, medicinal plant) taken as a proper new band is somewhat misleading though; the players are comprised of former members of Isis, Baptists and Russian Circles, a nice blend of influences with a smashing end result.
I’ve written openly about my enthusiasm for experimentation and unconventional song craft in the heavy music sphere, but The Deal edges above its contemporaries. Opening with “Spectral Gold” a frightening upward tonal spiral it crashes back into “Thorn In The Lion’s Paw” which thrashes about with a violent, schizophrenic undertone. The guitars don’t churn so much as shudder with extreme tension. The vocals are delivered in death growl, set in a barely audible place in the already thick mix, perhaps only there as a reminder of each song’s human menace.
What makes The Deal stand out for me is how Sumac utilizes the open space in the mix for enhancing the dark mood. Songs tend to build slowly, assemble into their manic framework, only to fall off a cliff into a harrowing void. No one writes a song as versatile as “Hollow King”, mainly constructed as death metal, yet spreading a mess of jam band and psychedelic rock inflection all over. Sumac songs build into wonderfully rotten edifices, huge guitars and stormy percussive beats only to be crushed with gleeful intimidation. Their album is a little like watching a large, clumsy child carefully construct a magnificent sandcastle on a rainy, bleak beach day only to bat it down with his bare paw.
Tired of my proselytizing? Check out Profound Lore for more about Sumac and The Deal.
The Amazing, Picture You
My introduction to legendary Swedish psychedelic rock band Dungen came very late, unfortunately. More than ten years after the fact, I was brought in on the gorgeous secrets of aural psychedelics like Ta det lungt and others in their catalog.
Featuring Reine Fiske from Dungen, The Amazing’s third album Picture You offers an evocative collection of original tracks, like Pink Floyd meeting with Nick Drake on the far rings of Saturn. Too much? Almost every song feels that type of cosmic openness, stretching out from needle drop, the vocals, spectral guitars and teardrop keys fading in and out of an unfathomable negative space. The Amazing deftly craft music that isn’t afraid to take it’s time, their songs filling the room with a rare type of air.
As much as I enjoyed Picture You though, this is an album that’s hard for me to evaluate. My connection to one of the original bands is far too new and too awe inspired to view a spin-off with the necessary objectivity (for the record another member of The Amazing, Christoffer Grunup, plays with Granada). There are absolutely scrumptious moments all over, specifically the title track and the languid “Circles” but I’m stuck with how to view it as a whole.
This feels like some of the best moments of Dungen but it lacks a certain otherness that made their albums special.
Hear some of The Amazing for yourself at the band’s website.
The Monochrome Set, Spaces Everywhere
On the state side of the big pond, The Monochrome Set’s output might be relegated to the obscure end of the rack. The English new-wave band has had a successful, if not sporadic, run since forming in 1978 though and in spite of a few break-ups, they’ve produced eleven albums and been included on a basketful of singles and compilation albums.
Now cue the anticipatory drumroll: they’re releasing album number twelve, Spaces Everywhere. Singer, songwriter and guitarist Bid is back with a new ensemble of musicians, as is his characteristic bouncy and melancholy croon. Songs like “Fantasy Creatures” and “Z Train” are so diabolically catchy, they affect a listener like an ear worms, winding further in with each chord. The Monochrome Set’s sound is clean, guitars free of distortion with clear influences written all over, from 60’s California, psychedelic rock bands like Love to the raw, artsy edged new wave scene that bore them almost thirty years ago. To those new to the band, Adam and The Ants to the Television Personalities will come to mind. Almost every song on Spaces Everywhere could stand out as a proper single, they’re simply that delightful
Enigmatic lead singer Bid says that the best place to listen to Spaces Everywhere is “in a deconsecrated church without a mirror” and to find out what that means, check out the Monochrome Set at their website.